SCULPTURE
AND RELIEF 2000s
It was a pleasant surprise to discover that my bronze sculpture Hippocamp from 2003, which was sold to the Danish National Gallery in 2007, was included in the exhibition "Danish artists over 150 years in the Sculpture Street at the Danish National Gallery.
Hippocamp is the result of a splicing between a horse that rolls in the snow and a Viking ship I had seen at the vikingtidsmuseet in Oslo.
The movement that sums up these elements are the elevation of the tall head in profile, which turns into the wide broad shape, is an expression that characterizes many of my sculptures.
Acqua passata and the shadows, 1999-2002
November 2000 - This Room is About
Clay, glass, light, water, plaster and shadows
Sculptures in clay - like earth, a body a thought of transit
Lighting houses - an atmosphere formed by the size and lightness of the room,
as the walls throw back.
Direct light - like dazzle
Indirect light - which can enhance a thought
Darkness - like memory, like black sculptures
Glass - like liquid water, of the same shape as shadows
Water - in motion, the memory brings with it in its flow
- Aqua Passata, lets go undone
Black sculpture - a dead without owner, colored by the water that drives by
Light - as now, as seeing, being conscious of one's thoughts
Glass sculpture - in the form of a reverse mountain filled to the brim with water
lets light pass through it,
to gather its shape into a single luminous point
Shadows - make even dead things come alive,
Do not discern, do not judge, forget no one
bound to the light, long for the darkness that will overshadow them
Light shadows - which cast diffused light on black living sculptures of dead
Dark water - reflecting the light
Water in motion - which blurs its reflection
White shadows - like inverted sculptures
White sculptures - casting black shadow
