SCULPTURE
AND RELIEF
... I create movement in the sculpture by making a difference in the proportions so that the eye moves around the figure. There is always movement in my sculptures even though the movement is minimal. When the difference in proportions fluctuates relative to each other, the sculpture becomes spatial and will therefore relate to any space...
Thrown into the World, 2024-25
Happenings in Rubber, 2024
Fossils in Rubber, 2023
Portraits of my friends, 2021 ongoing
Feet, 2020
Tendency to gang up, 2016
A Matter of Empathy, 2015
Ornamental Tales, 2014
All the things unsaid, 2012-13
Performance in clay, 2010
Our reality, their illusion, 2009
Times Alphabet, 2007-2008
The Eternal Now..., 2008
Burka and Babel, 2007
The Excecutioners' Hýmn, 2007
Codes, 2006
Short Cuts, 2005
Patterns, an Anonymous memory, 2004-05
The high L and the low L, 2003
Happenings in coloured glass, 2002
Acqua Passata and the shadows, 1999-2002
The mountain and the lake, 1998-2002
Nature Morte, 2000
The Replaceable, 1997
Primavera in Extremaduras, 1994-96
Conversation with a modern human being, 1992-94
Walls and Light,
1989-93
Calligraphy, 1991-93
Erected lying postures, 1990-92
Movement in Excessive Perspective, 1987-90
The family klan, 1987
Raval, 1985-88
Portraits of Eli Benveniste by photographer Heine Pedersen
